A young Sarah Polley and her actor father, Michael Polley, on a long-ago day; the photo is one of many family memories that surface in <em>Stories We Tell,</em> a superb meditation on dramatizing memory from the director of <em>Away from Her.</em>
Credit Roadside Attractions
Polley in the present day, with her Super-8 camera.
Sarah Polley grew up the fifth of five children in a Canadian theatrical family. Her father, Michael, is a transplanted British actor; her mother, Diane, was an actress and casting director. No wonder Sarah feels her family's narrative has the stuff of drama.
"I'm interested in the way we tell stories about our lives," she says in the film, "about the fact that the truth about the past is often ephemeral and difficult to pin down."
<em>The Procuress</em>, painted by Johannes Vermeer in 1656, hangs in a Dresden, Germany, museum in 2004. While this particular work is not in question, Benjamin Binstock argues that other pieces attributed to the Dutch master are by an apprentice and a member of his household.
Reading the Bible from cover to cover might seem like a heavy task. But what about writing it? Host Michel Martin speaks with Phillip Patterson, who is just two verses away from writing out the whole King James Bible. He talks about how he kept the faith in spite of loss and illness.
I'm Michel Martin, and this is TELL ME MORE from NPR News. Now it's time for our weekly visit to the Barbershop, where the guys talk about what's in the news and what's on their minds. Sitting in the chairs for a shape-up this week are writer and culture critic Jimi Izrael, with us in Washington, D.C.
Shame is an unspoken epidemic, the secret behind many forms of broken behavior. Brené Brown studies vulnerability, courage, authenticity and shame. She discusses what can happen when people confront their shame head-on.