Our lives, our cultures, are composed of many overlapping stories. Novelist Chimamanda Adichie tells the story of how she found her authentic cultural voice — and warns that if we hear only a single story about another person or country, we risk a critical misunderstanding.
The radically different Formula One racers James Hunt (Chris Hemsworth, left) and Niki Lauda (Daniel Bruhl) are at the center of Ron Howard's Rush, a biographical drama that's as strong on character as on cars.
Credit Jaap Buitendijk / Universal Pictures
Hunt's penchant for dangerous driving, as well as his playboy tendencies, fueled his rivalry with Lauda.
You might think that if the driving scenes in your auto-racing movie are the least interesting thing about it, that's a problem. But it's far from a sign of engine trouble for Rush, a swift-moving, character-rich biopic whose kinetic Grand Prix sequences are constantly being overshadowed by genuinely riveting scenes of ... people talking.
But then in a film written by Peter Morgan — of The Queen and Frost/Nixon -- maybe it's no wonder that questions like why they drive, why they want to win and who they want to beat take center stage.
This week's show finds me, Stephen, Trey and Glen together again in the studio, but due to a scheduling tweak, finds us in Historic Studio 45 instead of Historic Studio 44, so we hope you can all still follow the conversation.