Michael Schaub is a writer, book critic and regular contributor to NPR Books. His work has appeared in The Washington Post, The San Francisco Chronicle, The Portland Mercury and The Austin Chronicle, among other publications. A native of Texas, he now lives in Portland, Ore.
It was no less than the master of dystopian fiction, George Orwell, who noted in a 1946 essay that "political language has to consist largely of euphemism. ... Defenseless villages are bombarded from the air ...
There's a popular misconception that literary fiction is supposed to be staid, boring, realistic to a fault. Like all stereotypes, it's deeply unfair, but it endures, perhaps because readers keep having traumatic flashbacks to novels, like Sister Carrie, that they were forced to read in high school.
"More than anywhere else," writes Rosie Schaap, "bars are where I've figured out how to relate to others and how to be myself." It's the same for a lot of us, though many won't admit it. Americans tend to have a weirdly puritanical view of drinking, and a lot of people see bars as nothing more than havens for lowlifes and alcoholics. But as Schaap points out in her new memoir, they're missing out. "You can drink at home. But a good bar? ... It's more like a community center, for people — men and women — who happen to drink."
Since the publication of George Saunders' 1996 debut story collection, Civilwarland in Bad Decline, journalists and scholars have been trying to figure out how to describe his writing. Nobody has come very close. The short story writer and novelist has been repeatedly called "original," which is true as far as it goes — but it doesn't go nearly far enough. Saunders blends elements of science fiction, horror and humor writing into his trademark brand of literary fiction.
It's probably not true that truth is stranger than fiction, but in the hands of a great biographer, it can be just as compelling. Novelists can create unique and unforgettable characters — there's never been anyone quite like Jane Eyre or Ignatius J. Reilly — but there's no shortage of fascinating literary protagonists who just happened to exist in real life.